Brandy Borne's eccentric mother, Vivian, has been invited to perform her one-woman show of Macbeth at the hamlet of Old York's Brit-flavored annual fete. Brandy, sensing a dramatic disaster, and savvy shih tzu Sushi, sensing doggy treats, tag along. Before the curtain goes up, an unscripted death occurs onstage. When a second victim makes a too-hasty exit from the mortal coil, Brandy and Vivian must step into the spotlight. But a calculating killer seems to be well-rehearsed for the Borne girls . . .
This publication offers a new, revised edition of a work that was hailed, when it first appeared, as the most useful art-historical reference book to have been published in recent decades. It is a Handbook of Sources, documenting and illustrating the most significant antique works of art known to Renaissance artists. More than 500 illustrations show Greek and Roman statues, mythological and historical reliefs as well as triumphal arches together with Renaissance drawings, engravings, bronzes and paintings to demonstrate how and where these classical monuments were discovered and recorded, and how they were copied, adapted, combined and transformed into the style and iconography we now recognize as Renaissance art.The authors, Professor Phyllis Bober and Dr. Ruth Rubinstein, based their selection on the Census of Antique Works of Art and Architecture known in the Renaissance, begun at the Warburg Institute in London as a reference catalogue, but continuously extended thereafter and now transferred into a modern web-based database system accessible on the internet. The authors arranged their illustrative material and their encyclopaedic catalogue thematically, giving full descriptions and history of each antique work, listing Renaissance representations and adaptations, and citing relevant literature. In addition, the myths and legends featured in the classical works are retold briefly in each case to help the reader follow the narrative particularly in the many sarcophagus reliefs reproduced.Although the book has been reprinted twice since its first appearance, only minor revisions had until now been included. Sadly, neither author has lived to see the present publication, but corrections and additions to the Catalogue and the Appendices continued up to the time of their deaths, and Ruth Rubinstein spent the last decade of her life preparing this second edition with substantial catalogue revisions and significant additions to the Bibliography.In addition to Phyllis Bober's introductory essay, which considers the cultural impact of classical Antiquity on Renaissance masters, the handbook also includes two important Appendices: an annotated Index of Renaissance Artists and Sketchbooks, and a descriptive and illustrated Index of Renaissance Collections.
Weather vanes were used by the ancient Greeks a hundred years before the birth of Christ; by early Scandinavians on their ships; and were common throughout England since William the Conqueror, and throughout Europe since the French Revolution. American vanes were recorded since the seventeenth century - among the first known is the copper cockerel, made in 1656 for the Dutch Reformed Church at Albany. The weather vane found a welcome home in the expanding America of the eighteenth and nineteenth centuries. It was a jaunty bit of decoration that served an important utilitarian function and enlivened the whole landscape with its humorous and homespun motifs, bold and vigorous design, and spirited air of American individualism and independence.By the late nineteenth century weather vane design and manufacture had reached full maturity. There were several firms throughout the United States specializing in weather vanes, some of which issued catalogs displaying their wares. Among the largest and most important of these companies was A. B. & W. T. Westervelt of New York City, whose extensive illustrated 1883 catalog, featuring over 550 copper weather vanes and finials, is herein reprinted.This excellent primary source by one of the principal manufacturers of American weather vanes offers an extraordinarily wide range of styles and motifs, including: horse with sulky and driver, cow or bull, gun and cap, goddess of liberty, dog, ram or sheep, Indian chief, hook and ladder with number, oxen, ocean steamer, Roman banneret and scroll, rooster, cannon, fish, pen, locomotive and tender, initials, lion, liberty cap and arrows, malter's shovel and brew barrel, and many more. Vanes are illustrated with line engravings, are especially well suited to reproduction (all royalty-free), and are accompanied by relevant information on size, materials, and original prices.Indispensable for the architect, antique collector, and historian, this collection of authentic weather vane designs will also prove to be an unusually rich source of royalty-free art and graphic inspiration for the artist, designer, and crafter.
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